Costumes designs, support to festivals and talents of today and tomorrow; CHANEL has never stopped accompanying creation and contributes actively to the transmission of cinematographic heritage.
At the invitation of American producer Samuel Goldwyn, Gabrielle Chanel left for Hollywood in February 1931 to dress the actresses of the United Artists studio, namely Gloria Swanson, Ina Claire or Marlène Dietrich. As she came back to France, she embraced the Nouvelle Vague movement and once again, she dressed many actresses. The emblematic suit of CHANEL was readily endorsed by Jeanne Moreau, Romy Schneider and Delphine Seyrig.
Costumes designs, support to festivals and talents of today and tomorrow: CHANEL has never stopped accompanying creation and the transmission of heritage. The timeless allure of CHANEL finds an echo in cinema, embodied by actresses on screen or on the red carpet.
