CHANEL NEWS

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© Olivier Saillant

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© Olivier Saillant

蔚藍海岸之夏

香奈兒連續第七年在聖特羅佩La Mistralée酒店開設限時主題精品店。高級時裝與配飾系列在充滿現代夏日風情的背景襯托下優雅呈現。

即日起至2017年10月2日

1, avenue du Général Leclerc
89990 Saint-Tropez 聖特羅佩, France

MADEMOISELLE PRIVÉ 展覽 首爾站

繼2015年倫敦首度展出後,Mademoiselle Privé展覽即將於韓國首爾登場。此次展覽包含數位化體驗內容,通過對香奈兒品牌起源與創意靈感的探尋,展現嘉柏麗爾·香奈兒與卡爾·拉格斐的非凡魅力與不羈靈魂。

首爾 D Museum
2017年6月23日至7月12日
免費入場

mademoiselleprive.chanel.com

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© Genica Athanasiou wearing Gabrielle Chanel's costume for ANTIGONE by Jean Cocteau in 1922 - photo by Man Ray

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© Genica Athanasiou wearing Gabrielle Chanel's costume for ANTIGONE by Jean Cocteau in 1922 - photo by Man Ray

GABRIELLE CHANEL'S ANTIQUE COSTUMES

Choosing an outfit always means deciding what character to play, just like an actor dresses in character for a role on stage. The analogy extends to conjuring up new looks in sketches and drawings. It was thus hardly surprising that in the early 1920s, Jean Cocteau should turn to Gabrielle Chanel, the woman he held to be "the finest dressmaker of the day". He asked her to design costumes for three tragedies, Antigone, Orpheus, and Oedipus Rex, based on rough sketches. Harking back to Greek mythology offered a way to breathe fresh relevance into universal themes such as war, marriage, the power of language, and metamorphosis. Alongside the actors, Cocteau worked with avant-garde artists, with Picasso providing set designs and Honegger the music for Antigone.

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現代神話
攝影:卡爾•拉格斐

卡爾·拉格斐從古希臘最著名的經典愛情著作,朗格斯的《Daphnis and Chloe》中汲取靈感,拍攝系列作品《現代神話》。模特兒Bianca Balti與Baptiste Giabiconi作為主角,所演繹的與其說是標題中的男女主角,不如說是對這段失落文明的回溯:“我對現實不感興趣。我只選取我喜歡的部分。”卡爾·拉格斐說。

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