CHANEL NEWS

卡尔·拉格斐为巴黎歌剧院设计演出服

在巴黎歌剧院新演出季开幕盛典之前,裁缝们对卡尔·拉格斐专门为此所设计的演出服做最后的润饰。在今晚的演出上,他为Ohad Naharin创作的芭蕾舞剧《Decadance》的“B/olero”一章打造演出服:“拉威尔的‘波莱罗’舞曲一直都是我最喜爱的曲目之一,我16岁时买的第一张古典唱片就是这首”, 卡尔·拉格斐说道。

3.55 'CHANEL À L'OPERA'
PODCAST WITH OHAD NAHARIN

The Israeli choreographer, resident of the Tel Aviv-based Batsheva Dance Company, presents Decadance at the Opéra de Paris. A modular play based on sections from his unfinished works, transforms and adapts through a selection of pieces, variations and transitions. In an interview with Anne Berest, he addresses the issue of freedom through the understanding of rules and knowledge. He talks about his vision of movement and his dance techniques, such as the ‘Gaga’ method, which consists of listening to one's body in an unconventional way to better appreciate movement. To be a good dancer, explains the choreographer, passion, imagination and skills are the three essential qualities needed, complemented by the love of learning and research.

调频3.55之“香奈儿在歌剧院”
对话 KATE MORAN

女演员Kate Moran在巴黎歌剧院的沙龙内,向Anne Berest讲述了自己的舞蹈生涯。她谈及自己第一次接触芭蕾舞,以及探索后现代和试验性舞蹈的情景,以及舞蹈是怎样深刻地影响她的演技和日常生活,她与身体的关系,对痛苦与情感的反应。Kate Moran也是法国独立电影界少壮派代言人之一、电影制作人Yann Gonzalez的灵感缪斯。

调频3.55之“香奈儿在歌剧院”
对话 DIANA VISHNEVA

Anne Berest邀请圣彼得堡马林斯基剧院的明星舞蹈演员Diana Vishneva,在她与Aurélie Dupont联袂演绎Ohad Naharin创作的《Decadance》之前,在巴黎歌剧院展开对话。Diana Vishneva谈论了身体语言、想象的力量以及创作中的新意等话题。

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