คอลเลคชั่นประจำฤดูใบไม้ผลิ-ฤดูร้อน
2019 พรี-คอลเลคชั่น

CHANEL NEWS

3.55 'CHANEL À L'OPERA'
PODCAST WITH OHAD NAHARIN

The Israeli choreographer, resident of the Tel Aviv-based Batsheva Dance Company, presents Decadance at the Opéra de Paris. A modular play based on sections from his unfinished works, transforms and adapts through a selection of pieces, variations and transitions. In an interview with Anne Berest, he addresses the issue of freedom through the understanding of rules and knowledge. He talks about his vision of movement and his dance techniques, such as the ‘Gaga’ method, which consists of listening to one's body in an unconventional way to better appreciate movement. To be a good dancer, explains the choreographer, passion, imagination and skills are the three essential qualities needed, complemented by the love of learning and research.

3.55 'CHANEL À L'OPÉRA'
PODCAST WITH KATE MORAN

The actress, one of the faces of young independent French cinema and filmmaker Yann Gonzalez’s muse talks about her career as a dancer. In conversation with Anne Berest in the salons of the Opera Garnier in Paris, she retraces her first ballet steps and the discovery of post-modern and experimental dance. She explains how dance influenced her acting as much as her daily life, her relationship with the body, to pain and emotions.

3.55 'CHANEL À L'OPÉRA'
PODCAST WITH DIANA VISHNEVA

In an intimate setting at the Palais Garnier, Anne Berest meets star dancer Diana Vishneva from the Mariinsky Theater in St. Petersburg before her performance in Ohad Naharin’s Decadance opposite Aurélie Dupont. The ballerina speaks about the language of bodies, the power of imagination and addresses the topic of novelty in creation.

3.55 ‘CHANEL À L'OPÉRA’
PODCAST WITH AURÉLIE DUPONT

Sitting down with Anne Berest, the ballet dancer and ballet director of the Opéra de Paris revisits her early passion for dance and her quest for freedom on stage. She sees this as an opportunity for dancers as artists to express a certain artistic relationship with the body through costumes and the purity of movement.

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