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CHANEL NEWS

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© Anne Combaz

the-landmarks-of-haute-couture-paris

© Anne Combaz

Monday, January 25, 2016

THE LANDMARKS OF HAUTE COUTURE, PARIS


Haute Couture is quintessentially Parisian. It was born in the quarter around the rue de la Paix where Charles-Frédéric Worth founded his dressmaking salon in 1858. By transforming the couturier from a "supplier" into a "creator" he was the first to present his clients with actual collections on living models in luxurious salons.
At that time, Paris already had a reputation as the world's capital of elegance and was bursting with small businesses dedicated to the art of couture (embroiderers, feather workers, button, shoe and glove makers and milliners…).



Although Gabrielle Chanel opened her first Maison de Couture in Biarritz in 1915, she moved to rue Cambon in Paris, in 1918. By the end of the 1920’s, the address had expanded to include N°s 23, 25, 27, 29 and 31. The legendary 31, rue Cambon is now solely dedicated to Haute Couture. All of the collections and orders for Haute Couture are without exception created in this historical building.

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© Olivier Saillant

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© Olivier Saillant

Monday, January 25, 2016

THE STAIRS

Everyone knows the Art Deco staircase lined with mirrors where Gabrielle Chanel sat, unseen, to observe the reactions of the audience as each of her collections was presented.
Like a symbolic backbone, this central axis links the Haute Couture salons on the first floor to the creator's apartment on the second.

As discreet as the salons are sumptuous, the apartment is not alone, there are other equally strategic places in the labyrinth of the House of Chanel, from Karl Lagerfeld’s studio to the Haute Couture ateliers.
At each different stage of a creation, and each time it is necessary to make an adjustment to a piece or to have a fitting, it is not unusual to see the heads of the ateliers emerge from the workshop, their arms full with their precious creations.

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© Anne Combaz

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© Anne Combaz

Sunday, January 24, 2016

SAVOIR-FAIRE D’EXCEPTION CHAIR 

ESSEC BUSINESS SCHOOL

The ESSEC and the Château de Versailles signed a partnership agreement last Friday to launch the Savoir-Faire d’Exception ("Exceptional Savoir-Faire") Chair with the support of the Maison Chanel and other key players in the luxury goods sector. 


As part of an effort to foster French excellence, this agreement will create student internships at the Château de Versailles. Specific modules will also be organized to develop careers in the field of culture and art management. Furthermore, the promotion of French expertise will be expanded in the Asia-Pacific region thanks to the existing campus based in Singapore. The creation of this new Chair will include approximately twenty students and begin with the 2016 academic year
.

For Bruno Pavlovsky, President of Fashion Activities at Chanel: "Chanel’s commitment to preserving the master crafts, and the craftsman who are our historical partners, with their unique cultural and artistic heritage (...) has made it possible to sustain and transfer the exceptional know-how of the different ateliers while also stimulating creation and innovation." "It is essential for us to continue developing and enhancing this patrimony", he added.


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© Robert Doisneau/Rapho

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© Robert Doisneau/Rapho

Saturday, January 23, 2016

EDMONDE CHARLES-ROUX

Member of the Resistance, journalist and author, Edmonde Charles-Roux, who was born in 1920 and died a few days ago, was one of the pioneers of French women's magazines in the postwar period.

After participating in the creation of "Elle" magazine in 1946, this woman of character, commitment and talent climbed the publishing ladder of French "Vogue" before becoming the Chief Editor in 1954.
​​Her first published novel, "To forget Palermo" in 1966, was a resounding success, since the novel won the Prix Goncourt. This was the beginning of a brilliant literary career that led her to enter the Académie Goncourt in 1983 before chairing it from 2002 to 2014.

It is of course no coincidence that the novelist, in love with fashion, devoted two books to Gabrielle Chanel. Upon meeting in 1954, the two women immediately felt that they shared an independent spirit and strength of character that drove them to build the lives they chose for themselves. It is as if Edmonde had found in the fashion designer the self-confidence that she still lacked, the figure she had just outlined. The young reporter decided to adopt a Chanel suit and pearl necklace, an outfit she wore for years. "You have a style, that of the peasant women of Arles, do not move from that, do not cut your hair" Gabrielle still advised her.

In "Chanel and her world", a work of reference, she pays tribute to Coco’s creative genius, but in "L’Irrégulière" (The Misfit), she retraces the designer’s unique destiny: that of a woman in charge of a huge company that was a lightning rod for an entire period. And yet throughout her life, the designer had been a “misfit” by bourgeois conventions. Which in a sense Edmonde was a bit herself.

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