Karl Lagerfeld, Creative Director of the House since 1983.

"I try to make it not a thing of the past but a reflection of the moment. Chanel is about modern attitude but style, created by Coco, and attitude have to be updated to stay in touch with times and fashion. I keep the classic by adapting it to the mood of the moment, and I always think of Goethe’s famous words that I like so much: "make a better future with enlarged elements of the past".



For the first time in Singapore, Chanel has just installed a pop-up store within Pedder on Scotts' space. Special displays were created as a backdrop to the Spring-Summer 2016 Ready-to-Wear collection and travel-inspired accessories.

The Chanel-themed airport terminal, in keeping with the direction of the runway show, displays feature such as a conveyor belt, laden with the new luggage and leather goods collection, and booths manned by mannequins decked out as stewards and stewardesses.

24th March to April 3rd, 2016


François Kollar on the stairs of Chanel, 1937 / exhibition view, Alice Sidoli © Jeu de Paume, 2016


François Kollar on the stairs of Chanel, 1937 / exhibition view, Alice Sidoli © Jeu de Paume, 2016


The exhibition "A Working Eye", the first retrospective of Kollar's complete body of work in France, showcases a panorama of his art with over 130 shots taken in Europe and Africa from the 1930s to the 1960s. The Hungarian-born photographer was one of France's great twentieth-century masters of industrial reportage.

François Kollar started out in advertising photography, spending many years working with magazines such as "Harper's Bazaar", where he published over two hundred fashion shots and portraits in the years before 1946. Photographing models, advertising for main houses and leading figures in the world of fashion, including Gabrielle Chanel, led him to experiment with a range of modern techniques and try out highly original compositions, playing with backlighting, double exposure, superimposition, and solarisation, or reflections in a mirror, as in this instance with a model on the rue Cambon staircase.

The exhibition follows the photographer's career chronologically, starting with the earlier experimental works and moving on to his advertising and fashion work. His reportage photography on the changing world of work in the 1930s is at the heart of the retrospective, which closes with his industrial series shot in French West Africa and France in the 1950s and 1960s.

Jeu de Paume
1, Place de la Concorde, 75008 Paris
February 9th to May 22d, 2016


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