CHANEL NEWS

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© Anne Combaz

savoir-faire-d-exception-teaching-chair-at-the-essec

© Anne Combaz

EL "SAVOIR-FAIRE" DE EXCEPCIÓN

CÁTEDRA DE ESSEC BUSINESS SCHOOL

La reconocida Escuela de Negocios ESSEC y el Château de Versailles han firmado el viernes pasado un partenariado para la creación de una cátedra bautizada en francés como "Savoir-faire d’exception", a la cual se han asociado las principales figuras del lujo, entre los cuales está la Maison Chanel.

Esta cátedra tiene como objetivo promover la excelencia francesa y permitirá a los estudiantes de la Escuela realizar prácticas en el prestigioso castillo. Además, se llevarán a cabo módulos paralelos dedicados a las profesiones de gestión de la cultura y del arte. El objetivo es también, transmitir el "savoir-faire" francés en Asia, contando con el apoyo del campus ubicado en Singapur. La cátedra será para una veintena de estudiantes a partir de la vuelta de verano en 2016.

Para Bruno Pavlovsky, Presidente de las actividades de Moda de Chanel, "el compromiso de Chanel para la protección de los Métiers d’Art, los partenariados históricos, la conservación de un patrimonio cultural y artístico único (…) ha permitido la continuación y la transmisión del "savoir-faire" de excepción de los distintos talleres, apostando por la creación y la innovación". "Es esencial continuar su desarrollo y valorizarlos", añade.

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© Robert Doisneau/Rapho

edmonde-charles-roux

© Robert Doisneau/Rapho

EDMONDE CHARLES-ROUX

Member of the Resistance, journalist and author, Edmonde Charles-Roux, who was born in 1920 and died a few days ago, was one of the pioneers of French women's magazines in the postwar period.

After participating in the creation of "Elle" magazine in 1946, this woman of character, commitment and talent climbed the publishing ladder of French "Vogue" before becoming the Chief Editor in 1954.
​​Her first published novel, "To forget Palermo" in 1966, was a resounding success, since the novel won the Prix Goncourt. This was the beginning of a brilliant literary career that led her to enter the Académie Goncourt in 1983 before chairing it from 2002 to 2014.

It is of course no coincidence that the novelist, in love with fashion, devoted two books to Gabrielle Chanel. Upon meeting in 1954, the two women immediately felt that they shared an independent spirit and strength of character that drove them to build the lives they chose for themselves. It is as if Edmonde had found in the fashion designer the self-confidence that she still lacked, the figure she had just outlined. The young reporter decided to adopt a Chanel suit and pearl necklace, an outfit she wore for years. "You have a style, that of the peasant women of Arles, do not move from that, do not cut your hair" Gabrielle still advised her.

In "Chanel and her world", a work of reference, she pays tribute to Coco’s creative genius, but in "L’Irrégulière" (The Misfit), she retraces the designer’s unique destiny: that of a woman in charge of a huge company that was a lightning rod for an entire period. And yet throughout her life, the designer had been a “misfit” by bourgeois conventions. Which in a sense Edmonde was a bit herself.

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© All Rights Reserved. Maison Goossens, 1990

robert-goossens

© All Rights Reserved. Maison Goossens, 1990

ROBERT GOOSSENS

Robert Goossens (1927-2016), goldsmith and jeweler, was a master craftsman with a rare talent and a genuine passion for his art.

When Gabrielle Chanel met Goossens in 1953, she was enchanted by his Baroque-style creations inspired by ancient jewelry in particular Byzantine and Egyptian.
When he revealed his creations influenced by Barbarian, Visigoth, and Etruscan jewelry, her immediate response was, "They are magnificent - if people ask where they came from we will say the excavations at rue Cambon!" She went on to commission furniture, chandeliers and mirrors from Goossens for her Paris apartment at 31 rue Cambon.

Robert Goossens produced for all the major fashion designers and could work wonders with any material, from metal, stone, and leather to rock crystal, ivory, tortoiseshell, enamel and wood.
He also taught his craft to his children. Patrick creates jewelry, while Martine specializes in decorative art pieces and all their work is hand-made.

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