Buenos Aires, Argentina
Spring-Summer 2010 Haute Couture Show
Both playful and sophisticated pearlescent-grey suits, with knee-length shorts and skirts that dance above them; a featherweight silhouette strolling down the aisles with feet sheathed in glistening silver leather and pearled soles.
In pale pink, straw yellow, almond green, beige, and gray with white, the colors are fresh, young, and joyful. The collection exemplifies a luxury that glorifies light, capturing it in sequins, crystals, embroideries, silver thread and ethereal volumes.
Bows punctuate short dresses founded in purity, with fluid kimono collars flattering the neck and shoulders. Capes in lace and crystal, cloud-shaped dresses in sugary colors, and dazzling lamés always display the elegant humor that Chanel is known for.
As a hint to his mythical wardrobe, one of Karl Lagerfeld's creations contrasts a perfectly proportioned long dress with a diamond-embroidered maxi-tie, and a high-neck collar "à la Karl" that emphasizes a perfect posture. Another evening dress is tender pink, with sequined straps.
A modern, ultra-refined collection for a luminescent, free woman.
In this Spring-Summer 2010 Haute Couture collection, neon is reinvented by the maestro of cut and light.
Spring-Summer 2010 Haute Couture Show, Pavillon Cambon Capucines
Making of the press kit, Studio 7L, Paris
Chanel has installed a pair of dolls inspired by its "Paris-Moscou" fashion show in the Printemps department store. The two window marionettes, Princess Nadejda and the Grand Duke Dimitri, are wearing miniature pieces from the collection. The two figures are contrasted with giant, hand-painted matriochkas, which stand over 16 feet tall, inside the store.
It is in this antique armchair, made of sculpted walnut and covered with white satin, that Gabrielle Chanel was photographed by Horst in 1937. The photographer later confided that Mademoiselle Chanel was very pensive during this sitting, and attributed this mood to a love affair. But after the shoot, nobody knew what happened to the armchair. Karl Lagerfeld found it in an auction in Monte-Carlo in the 1980s, recognising it as precisely the one from Horst's photo. This is how the armchair returned to Gabrielle Chanel's apartment.Made by Chevigny, the great 18th century furniture maker, this particular armchair displays unusual proportions that are explained by its origin as a "half-bathtub", whose wooden panelling (intended as a water basin) was cut and transformed into an armchair covered with white satin. The bronze legs indicate the original presence of wheels, which would have allowed the bathtub to be moved from one room to another.
Spring-Summer 2010 Pre-Collection
In 2004, a collaboration with New York architect Peter Marino brought about an astounding ten level Chanel structure in the heart of Ginza. Today, the boutique offers a retrospective of Chanel's Haute Couture creations - pieces by Karl Lagerfeld and Coco Chanel, outfits worn by N°5 ambassadresses, wedding gowns and high jewelry pieces. One by one, they reveal the evolution of the skills and particular refinement of the Parisian artisans.
Inspired by the set of the Fall-Winter 2009/10 Haute Couture show, five bottles of Chanel N°5 perfume guide the way through the exhibition.
Until December 27th in the Ginza district of Tokyo.