Campaign for the launch of the new handbag line CHANEL COCO COCOON in October 2009
Display of the Paris-Moscow collection at the podium boutique in the Russian capital
The Fall-Winter 2009/10 collection photographed by Karl Lagerfeld
Paris-Moscou: Drawings of the Métiers d'Art collection by the Russian model Sasha Pivavorova on the occasion of the fashion show in Moscow, the city where she was born.
"My drawings were inspired by the joy of seeing fairytale characters coming to life in one of the main theaters of Moscow."
"Fashion and music are equivalent, they match very well: both are expressions of their time."
Venice: setting for the Cruise 2009/10 fashion show
A touch of Baroque Electro to the 2009/10 Cruise collection show in Venice: violin, cello and minimalist electro
SomethingALaMode, or SALM for its fans, set the musical scene for the show with a performance worthy of a classical orchestra and a top class DJ. The two worlds are not the slightest bit contradictory for Thomas Roussel and Yannick Grandjean who, after devoting their days to their strict classical training, turned into dedicated clubbers at night. The result of their encounter is a debut album called 'électro-cordes' which expertly mixes the clanging violins of "RondoParisiano", as baroque as they come (featuring Karl Lagerfeld), and the heady bubbles of "5 AM".
Moscow was at its best to welcome us two week ago. Blue sky, bright sunshine, comrades standing to attention; Leonid made sure I avoided revolutionary sunstroke by lending me his cap.
An original Moscow, the meeting of Chanel and Russia at the Maly Theatre, a gorgeous setting from Tsarist times transformed into a cinema for the showing of Karl Lagerfeld's film, "Coco 1913 – Chanel 1923", followed by a cabaret with Maria, Anabela, Irina, Sasha, Angelika, Tatyana, Natasha and Vlada; the letter A on the runway punctuated by the sound of Terem Quartet's giant balalaika.
Still with the Tsars, the next day began with a visit to Red Square and a tour round St. Basil's Cathedral, whose onion domes explode with psychedelic colour and decoration, leaving the imagination plenty of scope to dream as to their origin.
Everything changes at the Mayakovskaya subway station where we considered the art deco architecture and glamour icon mosaics in praise of work, sport and the strength of the people on a starry sky background, which must have influenced American cartoons and imagery of the thirties.
In the film "Coco 1913 – Chanel 1923", Grand Duke Dimitri thought nothing of Russian constructivism; he didn't know about the Bakhmetevsky bus garage, Moscow's modern art centre, whose facade would shock even Franz Ferdinand’s graphic artist.
At VDNK park, the Cosmos museum points up to the sky like a rocket on a launch pad; its array of low relief sculptures representing idols of the cosmos is reminiscent of Frankie Goes To Hollywood, the ZTT era.
Back to earth and there's absolutely no doubt that here we're in Eastern America, the beautiful Moscow girls have traded their sickles for false eyelashes, Russian techno music blares out over the airwaves, but the square is still Red; it's exhilarating!
After the show, guests headed to the PODIUM Concept Store, real moscovite fashion establishment. For one month Chanel created an ephemeral boutique highlighting the most emblematic pieces of the collection.
Backstage photographed by Emanuele Scorcelletti