CHANEL NEWS

jerry-hall
jerry-hall

Jerry hall

Interview with Karl Lagerfeld

Why have you chosen Jerry Hall for this 2009 Spring-Summer accessory brochure?
KL: I have known Jerry Hall since she was 15 and have always loved her "sumptuous" and generous side. I love her skin, her complexion, her hair, her overall allure.

Is this the first time you have photographed her? Do you have other projects you are working on with her?
KL: I had photographed her a long time ago, at the beginning of my career as a photographer and have always kept in touch with her. Today I also photographed her for the cover of a book about her.

Claudia Schiffer, Christie Turlington and now Jerry Hall, how are these supermodels from the 80s and 90s so emblematic of feminity?
KL: These are women with strong personalities. They do not have a problem with age time, life or the evolution of fashion. And that is what I love about them.

Why do you like the writer Colette?
KL: For me, Colette epitomizes the French writer and woman writer "par excellence".

Why are you inspired by "Chéri"? There were already references to this novel in "Karl Lagerfeld: 7 Fantasmes of a Woman". What does this novel evoke for you? Why take up this theme of a mature woman with a younger man again?
KL: Oscar Wilde said: "I like men who have a future, women who have a past" (The Picture of Dorian Gray). It is this whole idea of seduction that is summarized here that appeals to me. One of a very young man fascinated and attracted by what a woman does: her wardrobe her perfume, her movements, her allure, etc, etc.

For what reason(s) did you choose Baptiste Giabiconi for "Chéri"?
KL: In reading the first page of the book and the description of the character, we understand that Baptiste is the portrait of Chéri. He is also the most promising male model at the moment.

Where were the photos taken?
KL: In a studio where we reconstructed the bedroom of a woman, a courtesan.

What does photography bring to you? For what reasons have you chosen this medium of expression?
KL: I love images in general and making images, be photography, sketching, design, publishing or others.

cheri-a-novel-by-colette
cheri-a-novel-by-colette

Chéri, a novel by colette

This novel, written by Colette in 1920, is part of Karl Lagerfeld's literary collection. The book is a great source of inspiration for the pictures in the 2009 Spring-Summer Accessories Catalogue, which portrays a woman (Jerry Hall) and her much younger lover (Baptiste Giabiconi). 'Chéri tells the story of Léa de Lonval, a former courtesan who, approaching fifty, falls in love with a young dandy, Fred Peloux, going by the name 'chéri'. The son of a rich courtesan, this handsome young man of 25 lives surrounded and pampered by eccentric and liberal demi-mondaines, typical of the 1920s. Idle and narcissistic, he lives six years of passion with this glamorous woman, who passes on all her experience to him. He then leaves her to wed Edmée, the very young daughter of a rich friend of his mother’s. The passion and disillusionment of this short story portrays a certain social milieu of the Paris 'Belle Epoque' — a milieu well known to Colette and Mademoiselle Chanel during those carefree years.

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Barbie & ken by karl lagerfeld

Barbie dressed and photographed by the designer for her 50th anniversary

Karl Lagerfeld : “For me, Barbie is fun and she is touching in a way, with her naive beauty that she has represented for so many decades without really changing.”

Exhibition at Colette in Paris from March 9th to 28th, 2009.

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Another fashion book

Event for the launch of the book by Jefferson Hack
CHANEL 31 rue Cambon

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Show decor

Fall-Winter 2009/10 Ready-to-Wear

For this collection, staged at the Grand Palais, Karl Lagerfeld designed a minimalist and purified décor. It was made up of a succession of eight white spaces and a contrasting black lacquered floor — a combination which could just as easily evoke a vast contemporary apartment, an art gallery or Chanel's couture salons on the rue Cambon. Door frames in the white spaces allowed for movement throughout the blocks and for the models to cross one another weaving down the runway, breaking from the traditionally linear movement of fashion shows.

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Front row

Fall-Winter 2009/10 Ready-to-Wear

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Chanel "belle brummelle"

The Fall-Winter 2009/10 Ready-to-Wear collection is an homage to black, all kinds of black. Karl Lagerfeld gave this collection a working title: "The collection is called Chanel Belle Brumelle," as a reference to Beau Brumelle, "the 18th century English dandy who invented the look for men of dark clothes with the focal point on ties, scarves, collars and cuffs".

Therefore, in this collection there are ruffled collars and cuffs in white tulle, muslin and taffeta, which adorn the neck and wrists of the elegant black dresses and impeccable black suits. This unity of the blacks is punctuated by moments of pale pink and jade green, which delicately enliven the collection.

As for accessories, the jewelry is geometric, with a playful and unpretentious art deco inspiration. Also of note are the classic bags in their thermoformed packaging, with pockets for an iPod, the N°5 perfume, and sunglasses.

mobile-art
mobile-art

Mobile art - press release

The artistic adventure Mobile Art CHANEL Contemporary Art Container by Zaha Hadid has been discontinued after Hong Kong, Tokyo and New York. The image that such an event would have conveyed in the next cities would no longer have been in the spirit of the times.

An unprecedented travelling aesthetic experience, Mobile Art was greeted with great enthusiasm and curiosity the world over during 2008. The delight expressed by the 100,000 visitors was shared by the positive acclaim of the international press in its extensive coverage of this event.

A new form of exhibition conceived as a sensorial voyage, Mobile Art gave the quilted bag, icon of CHANEL's heritage, its own means of expression by confronting it with contemporary creation. Some 20 works inspired by the quilted bag were exhibited in the heart of a mobile pavilion specially created by the renowned architect Zaha Hadid at the request of Karl Lagerfeld. Together, the collision of these original and unusual points of view renewed the vision of the CHANEL universe.

A utopia created by a total work of art, Mobile Art will remain a great achievement and a global success, reaffirming with force CHANEL's attachment to creativity and to the avant-garde.

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