CHANEL NEWS

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mobile-art-opening-party-in-central-park

Mobile art opening party in central park

Hercules and Love Affair

Karl Lagerfeld created an evening worthy of the opening of Mobile Art in New York: at the heart of Central Park, after visiting the exhibition, guests were invited to a concert in a giant compact mirror hidden in the trees with “Hercule and Love Affair”. For almost an hour, the neo-disco group created by New York DJ Andrew Butler played songs from their first album including “Blind” that had already been played to accompany the ready-to-wear collection for the Fall-Winter 2008/9 catwalk.

Also worthy of note were visits from the artist Jeff Koons, actresses Kate Bosworth and Sarah Jessica Parker and the photographer Terry Richardson...

new-york-mobile-art

New york mobile art

The CHANEL Contemporary Art Container designed by Zaha Hadid opened its doors on October 20, 2008 at Rumsey Playfield, in the heart of Central Park and will stay until November 9th. This cultural event, which celebrates the intersection of contemporary art, architecture and fashion, was so highly anticipated by the New York crowd, curious to visit this exhibition housing over twenty original installations, that the free tickets were completely reserved within two days of being posted online.

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ready-to-wear-campaign

Ready-to-wear campaign

Fall-Winter 2008/9 Ready-to-Wear: Harlem Shuffle

For this collection’s campaign, Claudia Schiffer gave up her legendary blonde hairstyle: Karl Lagerfeld was not afraid to turn her into a modern Louise Brooks, short black hair, snow white skin, lace stockings covering long legs, and a delicate 20’s look. The photo shoot took place in an authentic Harlem brownstone, still full of the historical atmosphere of the neighborhood, formerly dedicated to jazz music.

Karl Lagerfeld gave an enigmatic feel to this campaign by subtly combining a deserted apartment, with faded colors, and simple materials, and a winter collection voluntarily devoid of the accessories that traditionally symbolize the house of Chanel.

Karl Lagerfeld’s photographic attention focuses on the delicacy of the fabrics, the finesse of the pleats and the frills in a gentle and mysterious atmosphere, filled with intimate history. Claudia Schiffer is photographed as a sophisticated and discrete beauty, “an unpretentious vision of luxury” which is what Karl Lagerfeld wanted for this winter.

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karls-diary

By Karl
GERMAN VOGUE

Rügen, an island in the baltic sea, shoot for German Vogue

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karls-diary-2

By Karl
VANITY FAIR ITALY

Jeff Koons at the Château de Versailles, published in Vanity Fair Italy

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premiere-watch

"premiere" watch - comeback

In 1987, the first CHANEL watch is created and is simply called "Première." Its octagonal shape is what makes this watch original, and just like the cap on the N°5 bottle, it is a reminder of the geometrical shape of the Place Vendôme, seen from the windows of Mademoiselle Chanel's room at the Hotel Ritz.

This year, CHANEL launches the new version of this cult watch in ceramic, a luxurious, noble, smooth and light material. This new version still has the original hands and octagonal shaped case, it is fine and feminine, and has the same precious line as the discrete watches from the 1930’s.

This re-edition is available in two colors, black and white, four ceramic versions, steel and diamonds or ceramic, 18-carat white gold and diamonds.

For more information, visit the Fine Jewellery & Watches website on chanel.com.

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The girls of the rue cambon

Spring-Summer 2009 Ready-to-Wear

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2009-spring-summer-ready-to-wear-show

spring-summer 2009 ready-to-wear show

The rue Cambon moves to the heart of the Grand Palais

For the 2009 Spring-Summer show, Karl Lagerfeld rebuilt the façade of 31 rue Cambon, under the huge skylight of the Grand Palais, on a one to one scale. There was one important change: the street, made famous by Mademoiselle Chanel, is no longer parallel to the house but faces it and leads to it. The designer explains: this spectacular decor is not an exact replica; it is an idealization, a conceptual reconstruction. The backdrop of the show is the movie set and the show is like a short movie with models playing the part of Parisian ladies. "It's just like a Hollywood view," says Karl Lagerfeld.

In 1921, Mademoiselle Chanel set up her house in the center of Paris, at 31 rue Cambon. Her two-storey apartment is still in this building: four rooms filled with meticulously well-preserved treasures. There are also the Haute Couture salons that Mademoiselle Chanel would use for her shows and which Karl Lagerfeld redesigned according to the original feel. The three Haute Couture ateliers remain at the top of the building.

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