Yes, and I’m really lucky because reading has always been a passion of mine. Depending on what’s happening, I’m more or less always reading. I have to read, because of my job (especially in the theatre) a lot of plays, novels, sometimes biographies, historical books or essays to prepare for certain roles, in addition to what I read for my own pleasure. It's a rare and unique joy working at the Comédie-Française to be able to immerse oneself in the great texts. To be constantly learning.

I don't know, but there are two books that have always accompanied me because I’ve reread them at different ages Childhood by Nathalie Sarraute and The Buried Candelabrum by Stefan Zweig. My favourite book is Sylvia Plath's The Bell Jar.

I’ve just read Vivre avec nos morts by Delphine Horvilleur and that book really moved me. It’s a liberating book because it reminds us and helps us to accept that death is just a part of life. A treatise of peace and consolation. I have boundless admiration for this intelligent, wise woman who knows how to give meaning to life.

'It's a rare and unique joy working at the Comédie-Française to be able to immerse oneself in the great texts. To be constantly learning.'

The scene of the horse’s death in Dostoyevsky's Crime and Punishment, I found that a harrowing read but it’s one of the most beautiful books ever. A hard read is also a good read for me, because it's incredible that the act of reading can provoke such strong sensations. This is one of the qualities and joys of reading.

It's hard to choose just one heroine. I'd like to be able to steal the characteristics and stories of many heroines, with the privilege of being able to choose whether or not to go through what they go through: Russians, Balzacians, contemporaries, addicted lovers or adventurers from another century. I might be André Breton's Nadja so I could walk around and let life flow, "Nadja, because in Russian it's the beginning of the word hope, and because it's only the beginning".

'A hard read is also a good read for me, because it's incredible that the act of reading can provoke such strong sensations.'

There isn't an ideal place. That's the beauty of books (well, except for dictionaries or big books that are difficult to carry). I like to read in bed, but it puts some people to sleep. In the subway or on the train, it's ideal. Or in my dressing room when I'm waiting to go on stage.

I’m more a romance novel than an adventure novel. The adventures of love interest me a thousand times more.

It depends on the novel or the story. And once again, it depends on the time I take to read. I like to immerse myself in long novels (Her Lover by Albert Cohen, Under the Volcano by Malcolm Lowry) but I also like a quick escape and reading a novella or a short story (The Nose or Dead Souls by Gogol, The Man Who Planted Trees by Giono).

I would love to see my favourite book The Bell Jar by Sylvia Plath, the only novel by this great poet with a tragic destiny, adapted for the cinema. Two years ago, I managed to read extracts from it at the Comédie-Française, accompanied by my father who played the double bass and as I read he punctuated the frightening stages of the heroine's descent into solitude at the hospital with his notes. And Simone de Beauvoir's The Woman Destroyed. Strong stories of women where as a reader we completely enter into the brain and the thoughts of the narrator thanks to the sublime writing and magical narration.

Our Need for Consolation is Insatiable by Stig Dagerman.